[Note: It’s been almost two years since the last installment of this series. Since there’s been something of a resurgence of The Backwards Mask lately, I think it deserves a continuation. This series was meant to inform folks of the odd experience of writing my first novel, and this part explains some of the confusion surrounding it.]
To recap, I found myself with the opportunity to complete a trilogy that had been started by another author, Paul Brunette. This new book had to pull double duty as both the conclusion of a trilogy, wrapping up the loose ends set up in the first two books, as well as a standalone novel since years had passed since the previous volume in the series.
I finally had the dark counterpart for to challenge my antagonist, and the stage was set for a final showdown between the two them. Development of the manuscript continued as I finally began to find traction with each character. Many of them were inherited from the previous books, so it took a while for them to really speak to me, and for me to make them my own. Everything just sort of clicked.
Some of the most intense writing sessions I’ve ever had occurred during this time. Understand, I’m a pretty slow writer. Maybe not GRRM slow, but I’m lucky to write 500-750 words in an hour when I’m really on it. Once during this time, I wrote more than 13,000 words, with minimal errors, in a session lasting only a little more than three hours. That goes to show how dialed in I was to the character and the stories.
It was so strong…(How strong was it?)
It was so strong…that a character I fully intended to kill off in an escape attempt utterly defied me. I tried several ways to kill this character and nothing worked. She survived until the end of the story. (I’ll leave you guessing which one it was.)
At this point, the manuscript was about 80% done, and it was pretty long already. Still, everything was coming together. I knew what needed to happen. Now I just needed to get it down on paper. And that’s when it happened…
Paul Brunette’s version of The Backwards Mask surfaced online, on a fan fiction site. Neither I nor Marc Miller had any clue that it existed. As far as we knew, it had been discussed before Game Designer’s Workshop closed its doors in the ’90s, but never written.
But there it was, staring us in the face. Worse, (for me, at least) it was complete. Suddenly all the work I had put into the project seemed in jeopardy. I was an outsider to the series, and my book wasn’t finished. Here was a manuscript, by the original author, that was done and ready to go. Further, I was afraid that fans of Traveller or the first two Brunette novels would see his version as the ‘real’ version, and mine as some sort of weird exercise in fan fiction, or relegated to ‘rogue’ status. You know, like Never Say Never Again, the Bond film that doesn’t ‘count.’
Thankfully, Marc Miller didn’t kick me to the curb. Instead, he made the decision to make both versions of The Backwards Mask available to the public. So you see, that is why there are two versions of the book floating around out there.
Naturally, this has led some to ask me: Did you take any cues or inspiration from the Brunette version? The answer is simple: no.
I made it a point not to read any of the other version until months after I had already turned my finished manuscript into Marc Miller. Even then, I got a few chapters in before I decided to read no more. To this day, I’ve never read it to completion. Not because it’s bad, but because it is uniquely weird to me as a reader.
It took me about three years to write The Backwards Mask. If you’ve read this blog series from the beginning you can see that there were many obstacles I had to overcome as far as finding a direction, guessing at the previous author’s intent, and generally trying to deliver the best book I could. After all that, reading the other version was like looking into some Twilight Zone/alternate timeline where I hadn’t put in hours upon hours exploring the mindset of the characters, plotting out action sequences, or rewriting whole tracks of dialogue.
I never realized how much ownership I had put into my manuscript until I began reading someone else’s take on the material. It’s a kind of weirdness that only affects me, but I just couldn’t read it. I still can’t. Even though I didn’t create Coeur, Dropkick, Crowbar, and Deep Six, I still feel the connection I forged with them years ago. Writing the final lines of the last chapter was bittersweet. Coeur’s frame of mind closely mirrored mine as the story came to a close.
So now there were two versions of The Backwards Mask slated for release, and we were on the countdown to launch. And next time, we’ll talk about my scramble to get everything ready for publication.
[Check out The Backwards Mask on Kindle.]