Tag Archives: Adventure

My Journey to the Place of Red Corn

Late last year, I had the pleasure of visiting my first Mayan ruins at Chacchoben in the forests of Mexico’s coastal state of Quintana Roo. My tour group set out in the morning from Costa Maya on an hour-long trip by van inland to the ruin site itself. Our tour guide was a gentleman by the name of Gabriel, or Gabo for short.

Photos don’t do it justice. Trust me.

Gabo is an interesting guy for a number of reasons. First, he is the answer to the question he gets a lot from tourists: “Where did the Mayans go?” 

“We’re still here,” is his usual answer. Gabo is himself of Mayan descent. In fact, Gabo came from a place in Mexico where the Mayan language is spoken primarily. He learned Spanish as a second language as a kid in school. En route to the ruins, he gave us a bit of history on the Mayan culture, his heritage, and even the Mayan counting system, which used lines and dots with dividing lines to represent escalating multiples of 20, 400, and 8,000.

The leaf/football symbol represents zero.

We arrived at Chacchoben, which means “The Place of Red Corn.” It is located next to a brightly colored traditional Mexican cemetery. I’ll come back to that in a moment. The ruins were rediscovered in 1972 and subsequently excavated in 1994. The area still has places that have not yet been excavated. Occasionally you could see this with an otherwise ordinary hill revealing a fragment of a stone wall peeking through gaps in the dirt. 

This ficus tree is likely more than a thousand years old, possibly more.

Chacchoben is not nearly the largest set of Mayan ruins in Mexico, but they are in remarkable shape considering their age. They date back to the Classic Period of Mayan civilization from about 250 to 900 CE. I’ve heard different estimates of when these ruins were built, but it is likely around 500–700 CE. It can be hard to wrap your mind around just how long ago that was. I had to remind my young son that the buildings there were the oldest that he had ever seen, by quite a large margin.

The people give you a sense of scale.

We toured through plazas and temple complexes in a large loop that goes around the entire site, up and down stone staircases that are narrow enough that it’s easier (and safer) to traverse them sideways. Next to the main temple, there’s even an ancient cieba tree. The branches that grow straight out from the trunk were thought to represent the levels of the heavens, earth, and underworld.    

This is the Cieba tree near the temple in the picture above.

Oh, one other thing that Gabo mentioned, something he was very passionate about: Ancient aliens didn’t build Chacchoben, the Mayans did. None of us had asked him that particular question, but he said it early on in our conversation, almost as if to get it out of the way. I can definitely see why this might be a point of contention for him, especially since there are so many History channel specials out there that talk about ancient aliens.

One place I found of particular interest was one of its most mundane. There was a market square with rows of open stone bleachers that formed a perimeter around a large open space. Gabo explained that this would have been used for town meetings and ceremonies, as well as a farmers market. What struck me most about them was that they still could be used as a market today. Much like the Agora in many Greek cities, this was the beating heart of the community. Almost every citizen would have interacted with it at some point in their daily lives.

Just imagine what life was like here.

Gabo further explained that most of the stone would have been covered in a type of bright white paint. This would allow tradesmen to bring in goods at night when it was cool using only a tiny bit of moonlight.

Speaking of paint, the ruins would have been covered in plaster and painted all sorts of vibrant, almost neon colors. As magnificent as the ruins are as they stand today, we are just seeing the dull under layer. There was one place, at the back of one of the temples, where there is still a tiny bit of the original pigment and plaster. Here it is:

Amazing.

Even in that state, however, there is a definite sense of wonder that you get standing there. These buildings aren’t just for ceremony. No, this is where thousands of people made their home. The echo of their lives still resonates through that place.

Remember the cemetery I mentioned earlier? It’s possible that bright colors we see there are an echo of this tradition. Many of the paints used there are made from natural pigments, so it gives us a potentially tantalizing clue as to the amazing palate the Mayans might have used to paint their buildings.

Once again, photos don’t do it justice.

It certainly makes you wonder why the Mayans might have abandoned this place if they had taken such pains to build them in exacting alignment with the sun and stars. I asked Gabo that very question. He was of the belief that it might have been something as simple as an extended dry period. A crop failure of just one year could have been devastating enough, but if it had gone two or three years in a row, the Mayans might have been forced to find a new place to live just to survive.

This is the back of the of the temple next to the cieba tree. In fact, you can see it in the back ground, just to the right of center

Sooner than I would have liked, it was time for us to load up in the van and head back out to the port. I have to tell you that seeing these ruins has really reignited my interest in Mesoamerican cultures, something I’ve had since I was a kid. At some point in the future, I would dearly love to take a tour of the Mayan and Aztec ruins throughout Mexico and Central America.  

I don’t know if I will ever again have the chance to visit the Place of Red Corn, but I can tell you that I am incredibly grateful to have visited it this once, and walk in the footsteps of the ancients.


Garden of the Gods: An Interview with Author Stephen J. Stirling

I recently had the pleasure of speaking with Stephen J. Stirling about his latest novel, Garden of the Gods. I was lucky enough to read it early and found it to be an concise and poignant thriller. I highly recommend it for anyone who likes what I call ‘introspective action.’ That is, the kind of book that is action-packed, but keeps you pondering its message and themes for days afterward.

This is something of a first on this blog, but it has given me the idea on having other authors on to talk about their work. For now, though, let’s talk to the man himself about Garden of the Gods!

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Hello, Stephen. We’re so glad to have you on Sector M! I always appreciate the opportunity to speak with another author about their methods and body of work. So, if you’re ready, let’s dive right in, shall we?

Thank you for having me! I always enjoy my chats with the leadership of Sector M and our glimpses into the future.

Let’s talk about your latest book, Garden of the Gods. Without giving too much away for readers, what can you tell us about the story and your influences for it?

The story itself revolves around a Native American tribe in the northeast Arizona desert. But Garden is largely a statement about worship—any worship—how it enriches our lives and what belief for each of us is really all about. The fact that we live in an age that needs religion so badly was the driving force behind writing this story.

I remember that Alan Moore used to say that the plot of a story is wholly different from what it’s about, meaning the themes, allegory, morals, and all that good stuff. So, what is Garden of the Gods about?

Well, Garden of the Gods is about Native Americans, their rich heritage, their connection with the past, and their hope for the future. . . (and it is also about monsters). But to call it a simple action/adventure would do the story a disservice. The story’s subplot proves that every resolution within this book was motivated by faith, or the lack of it.

The book is a period piece, in more than one sense of the term. What kind of research and preparation did you do about the time period, the various species you include, and native tribes when writing it?

The American southwest is a treasure of unique people and, as of yet, not wholly discovered zoological life. It is a human and animal ecosystem in constant flux, breathing and pulsating with the drama of life. Writing is a funny thing. You begin researching one topic, and end up somewhere entirely different. The Native American people against the backdrop of wartime America was where I tried to focus my research—I wanted to do them and their heritage justice.

When you are writing a book, what is your method? Are you more of a ‘planner,’ who outlines everything in great detail ahead of time, or are you more of a ‘gardener,’ who throws characters into a situation and lets it develop organically without preconceived notions of the outcome? Where you do you fall in that continuum, do you think?

This question is very important, and my answer is—yes. You think you’re one kind of writer who has all the characters lined up and ready to do what they’re told, and suddenly they turn on you. They come out fighting and you’re left to clean up their messes. I guess you could say I fall somewhere in between the two methods.

Let’s talk about your main character, Matt Hayden. He strikes me as being cut from the same cloth as many two-fisted pulp-era adventurers, like Allan Quartermaine and Indiana Jones, and perhaps even a hint of Cussler’s Dirk Pitt. What were your influences and thoughts when creating your leading man?

Hayden is a hero cut from whole cloth, at the same time with a huge wrinkle broadening him into a sympathetic strength that is instantly likable. I did craft him between literature’s Allan Quartermaine and living legend Bring Em’ Back Alive Frank Buck, and yet the combination makes him unique among American characters.

And what about the secondary and/or support characters? What were their roles when placing them into the overall ensemble?

Read the book carefully and you’ll discover that every character has a religious angle. Every character worships something. Every character (even “non-believers”) believes in something. Every character has to fight for something, and every character has to abandon something in the process.

The Nyah Gwaheh, the armored bear, has a very complex role in the story. In some ways it serves as the primary antagonist, but it’s clear that it has a deeper, more symbolic role to play within the narrative. What sort of metaphor does it represent?

The Nyah Gwaheh is a living parable of religious value and the things that we worship, whether we know it or not. He is the driving force of the book.

Any chance or thoughts on a sequel? No pressure…

Oh good, because I don’t see a sequel in the future. I think I’ll leave the characters to their own devices for a while.

This last question is pretty free-form. What would you like the readers out there to know about your book? Anything you like. Here, I’ll hand you the proverbial megaphone.

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Well thank you! I’ve never used a proverbial megaphone before. I’d like to leave you by saying I hope others will find as much joy in reading this book as I found in writing it; and if they find an introspective moment—or two—to contemplate their own spirituality I will have accomplished even more.

Thank you for taking time out of your schedule to chat, Stephen! It’s been a rare pleasure.

The pleasure is mine! Thank you for your interest in my project and your insightful questions. Talking with you has been a rare treat.

Take care now, and don’t be a stranger!

 

There you have it, folks – right from the source himself. Garden of the Gods is on bookshelves now at Deseret Book stores. It’s also available in print or digital format on Amazon and Barnes & Noble.com.

CHECK. IT. OUT.