[Note: I do not consider myself a movie critic. What follows is just one fanboy’s opinion based off of a
single double viewing of the film. Oh, and there are SPOILERS ahead for this movie, Wandavision and Loki, so take heed.]
Folks, this is a hard entry for me to write. I’m normally pretty glowing in my reviews of Marvel projects, and maybe a little more forgiving of their flaws, simply because the interconnected nature of the MCU is quite literally a dream come true.
So, it’s going to be tough love today, unfortunately. It’s been a while since I’ve felt the MCU had a true misfire. Opinions vary on that score, of course, but even when the MCU is not at its best (Iron Man 2, Thor: The Dark World, I’m looking in your direction), the movies have been watchable. I would have to rank this movie down in the lower tiers. Strap in, folks, here we go:
I like Doctor Strange, not just the movie from 2016, but the concept of the character and his role in the Marvel Universe. I thought he was fantastic in Infinity War and Endgame. The way he was used in No Way Home didn’t thrill me, but he’s a character that’s powerful enough that he can overwhelm a story if you’re not careful. I think there was a better way to handle his interactions with Spider-Man, but that was a minor issue in a movie I really loved.
I had heard that this movie experienced significant rewrites and reshoots, which started to make my spider-sense tingle, especially since the initial director backed out. But, I can’t blame the guy; Jon Watts directed all three of the MCU Spider-Man movies. He deserves a chance to step away.
Since the torch passed to Sam Raimi, I wasn’t too concerned, as I really love him as a director. The Army of Darkness is one of those movies that I can quote from beginning to end, pretty much right up there with Big Trouble in Little China, The Princess Bride, and Monty Python and the Holy Grail. The first two Spider-Man movies with Tobey Maguire were also incredibly good. I, for one, was glad to see Raimi return to Marvel. At first…
What I liked:
All the Sam Raimi-isms — Like I said, I really enjoy Sam Raimi’s visual style. The monster cams, the extreme reaction shots, the (ahem) break-neck pace. By the end, some of the choices were starting to grate a little, but there is no denying that he directed this film. His stamp, for good or for ill, is indelibly marked all over the movie.
Wanda believes she’s the protagonist — If you’ve read this blog for any length of time, you know that I really love literary villains. In one of my posts, I talk about how villains should always behave as though they are the central hero of their own story. Most villains don’t, and shouldn’t, think they are a villain, and behave accordingly. Thanos in Infinity War is a good example. Even though Wanda does some truly horrific deeds, she still doesn’t think she’s a monster. For most of the movie, anyway. More on that in a minute.
High production values — This is a major Marvel release, and that means incredible visuals, great sound editing, and overall a polished product, at least from a technical perspective. In that way, it definitely delivers.
The acting — One of Marvel’s strengths has been the casting and talent of the performers. I think every on-screen actor that appears here turns in a great performance, even if the material they are handed doesn’t give them much to work with. I think we’re lucky to have Benedict Wong, Benedict Cumberbatch, Rachel McAdams, and of course Elizabeth friggin’ Olsen. The amount of talent they have is astounding.
The Illuminati reveal — I did love this part of the movie, even if it didn’t really go anywhere in the end. We finally get to see Captain Carter in live action, along with Mr. Fantastic, and PROFESSOR X. Wow wow wow. Even though Inhumans wasn’t a good show, I like Anson Mount as an actor. I would love to see Black Bolt return in some capacity…though obviously not this version of him.
Zombie Doctor Strange — This is peak Sam Raimi, right here. An undead Doctor Strange who forges a cloak out of damned souls….OH YEAH! (*said in the Yello voice from Ferris Bueller’s Day Off*) Extra points that Doctor Strange starts sorta talking like a pirate, which seems to be a thing when you’re either undead or a deadite. Love it.
Wanda’s realization that she’s actually the antagonist — Wanda has a Falling Down moment at the climax of the film. She has somehow been able to justify everything she’s done up to that point. Seeing the children she hoped to mother completely terrified of her, to see them rally around the Wanda from that universe, it’s a cold splash of water to the face, allowing Wanda to come back to the forefront from being the Scarlet Witch. She realizes that she is the villain of the piece. Some top-shelf acting from Elizabeth Olsen (on both sides of that scene) really goes a long way.
What I DIDN’T Like:
Where’s Kang in all this? Or Vision? — I thought that the breaking of the timeline in Loki would be a catalyst for this movie, but there is zero mention of him or any of his other incarnations. You might make a case that there’s a difference between alternate timelines and alternate universes, but I suspected that Kang would be the next Big Bad, to use a Buffy term. Worse though, is that Vision is mentioned once, but Wanda never attempts to seek out White Vision or even find a universe where the original vision is still alive. He’s treated, effectively, as though he doesn’t exist. Considering the end of Wandavision, that’s a really odd choice.
Is this the same Wanda from Wandavision? — Speaking of that show, the version of Wanda we see here doesn’t seem to be the same one from the end of Wandavision. I thought the whole interlude had taught her that she needed to learn to refine the use of her powers to avoid hurting more people. I also thought she had made her peace with the illusory nature of her boys and Vision. But here, she is hyperfixated on getting the boys back, even though they weren’t real in the first place. This leads me to my next point.
What is the deal with her kids? — It’s the same two boys from Wandavision, but in the Hex, they were supposed to be the kids she had with Vision. That was all an illusion. Since Vision is an android, we can make a pretty decent guess that he can’t actually father children with her. (I’m fairly certain that wasn’t a concern when Ultron built the body.) But in the multiverse, however, Wanda apparently does have these kids. So, are they magical conjurations as well? Or did she have them the usual way? If the latter, who’s the father? It’s such a central point to Wanda’s character, but there is no real explanation of who, or what, these kids actually are.
The dark side of the Bruce Campbell cameo — I love me some Bruce Campbell, but this…this gets darker the more you think about it. So, a pizza-ball street vendor asks for payment for something a punk kid steals, and in the altercation is about to spray mustard into some arrogant Doctor Strange cosplayer’s face. Mustard. Even if he had succeeded, it would have done zero harm. In return, Strange puts a curse on him to do physical harm to himself for several weeks. Besides just the physical trauma, it seems like it would be pretty hard to eat, drink, or sleep as your limbs act on their own accord. While we see him in the end stinger, in reality that man would be dead. The whole thing is played for laughs, and is completely unnecessary.
So, how long does it take to drain America’s powers? — There are a number of internal inconsistencies in this movie. I don’t want to go into all of them, but one of the biggest ones was this: At the beginning of the movie, Soon-To-Be-Zombie Strange has trapped a demon, one that’s about to escape in the next few seconds. He makes the choice to take America’s universe-hopping power for himself. He’s holding the demon with one hand, and draining her power with the other. The implication is that Strange believes he can take the power in the moments before the demon gets loose again.
At the climax of the movie, Strange and Wong trap Wanda in a spell sphere. She’s also about to break free, so Wong prompts Strange to take the power. Again, the idea is that Strange can do this before Wanda busts out and kills all of them. And yet, Wanda captures America and has her in her temple for potentially hours while Strange and Christine walk through the ruined universe to find Third-Eye Strange, fight him, set up the spell using the Darkhold, then get Zombie Strange to the temple, fight off the spirits of the damned, and then finally get over there to disrupt Wanda’s ritual.
Wanda can’t take the power from Strange? — The frustrating part about America being a living McGuffin (amongst the things), is that Strange taking her power is likely for nothing. It’s never mentioned anywhere in the movie, but if Wanda can drain the power from America, who’s to say that she couldn’t do exactly the same thing to Strange himself? Even if he crossed that threshold, and killed America for her power, Wanda could almost certainly turn around and take it from him on the spot. She soloed against Kamar-Taj, and barely broke a sweat against dozens of the most powerful wizards in the world. As much as I would like to give Strange the benefit of the doubt, the silver bullet they keep bringing up might not actually help them.
The lack of material for America Chavez — I think that Xochitl Gomez does a good job with a character that has almost no backstory, and no real character development. America is treated like a walking, talking McGuffin that’s occasionally snarky. What a waste of potential. I really hoped this would be a grand entrance for both the actress and the character into the MCU, but the character comes off as the bratty, streetwise trope that we’ve seen any number of times in other things. Also, she’s been to 73 universes and never heard of Spider-Man? What the—?
The Fall of Kamar-Taj — I understand the need to show that Wanda is now an Omega-level threat. I thought they established that quite well, but where it fell apart from me was when Wong orders “Fortify Your Minds!” I mean, Wanda’s powers were always about affecting people’s minds, of getting in their heads. If you have a way to ‘fortify your mind’ as a wizard, shouldn’t you have already done that? In game terms, maybe it’s best to cast mind blank before combat if that’s an option. Also, one guy running away is enough to open a hole in the shield? Ugh.
Wong is a pushover — Wong is the Sorcerer Supreme. He, more than anyone else, has an idea of what damage Wanda can do with the Darkhold. One of his wizards even sacrifices herself in a pretty brutal way to make sure Wanda is deprived of the Book of Vile Darkness. When captured, he tells Wanda that she can torture him all she wants, but he won’t tell her anything more. She threatens some of the other wizards, and he folds like a card table. There’s no attempt to resist, or any thought of Wanda trying to get into his head, perhaps even trying to convince him that its Strange asking for the book instead of her. For a character that we’ve seen that’s so great about being a moral compass for Strange, and a solid, reliable presence, this has plot contrivance written all over it. It doesn’t do the character justice.
A multiverse of…three? — There’s a quick cutscene of Strange and America crashing through universal barriers, but other than that, we don’t get to see much of the multiverse. There’s our universe (kind of a given), the 838 universe with the Illuminati, and the destroyed universe where Third-Eye strange resides. I guess for a movie with ‘multiverse’ in the title, I was expecting more variety than just three.
The execution of Strange-838 — I understand that the conflict with Thanos played out differently in Universe-838, and that Strange was responsible for the destruction of a whole universe. While it was a sad scene to see Black Bolt simply say “I’m sorry” and kill his friend, it rankles me a bit that the Illuminati didn’t attempt to reform their friend, find a way to help him, or simply imprison him. They just execute him, and that’s that. I can’t speak for all the members of the Illuminati, but are you telling me that Captain Carter and Professor X in particular would have just been okay with that? No attempt at a redemption, just death? Superheroes should not be in the execution business.
Fall of the Illuminati — Hoo boy. First, maybe don’t tell the bad guy the exact nature of Black Bolt’s powers. Second, for the world’s smartest man, what was he doing? Stretching his arm out to do…what? Punch her? Pat her on the shoulder? While Mr. Fantastic is busily getting spaghettified, and then promptly popped like a balloon, his (remaining) companions do nothing. And if Wanda can do that, why would she bother engaging Captain Carter in hand-to-hand combat at all? Why not a quick balloon-popping for everyone? Then, she drops a statue on Captain Marvel with the implication (the hand-falling gesture) that the hero is dead. Yeah, the Carol Danvers Captain Marvel flew through a concentrated barrage from Thanos’ ship without any hindrance whatsoever. A statue falling on her would be less than nothing.
Like I said, the Illuminati thread just sort of ends without accomplishing anything but slowing Wanda down temporarily, and really not even that. Xavier makes the most progress, in a scene that reminded me of him trying to lock away the Dark Phoenix in Jean Grey, but that fails, once again, with no tangible return or lasting results. I would have almost preferred that we scrub this section completely and get to spend more time with Wanda, Strange, and America. Those three characters could have used it.
Doddering around the Book of Vishanti — I could tell immediately when we got to this part of the movie, from the musical cues, to the camera angles, that the Book of Vishanti would be a non-starter. And so it was. Instead of sprinting towards the book, knowing that one of the most powerful beings in existence is hot on their heels, intent on their destruction, they screw around, wasting what precious seconds they had. In game terms, you’ve got maybe three rounds before the boss gets there. You’ve got one round to get to the book, one round to find the spell you need, and one round to cast it. Sure enough, no sooner has Strange got the book in hand, it’s destroyed without being useful at all.
Since it’s clear that the Darkhold is the polar opposite of the Book of Vishanti, and the Darkhold exists throughout the multiverse, doesn’t it also stand to reason that the Book of Vishanti might also exist in other universes? That possibility is never explored, or even given a line mention. Once the good book is destroyed, it’s never mentioned again. That’s a lot of screen time invested in a McGuffin for it to have zero effect on the outcome.
Slow, dramatic walking as the world is about to end — The movie has a real issue with building up events as important, perhaps even all-important, and then promptly deflating them by having the characters react to them in a ho-hum fashion. The Book of Vishanti was one, but the interlude with Third-Eye Strange really takes the cake. Strange and Christine walk nonchalantly through the ruined universe (he has a repaired cape that allows him to fly at this point), find the Sanctum, and then slowly walk up the staircase. May I remind you that during this interlude, Wanda has America in her clutches, and no one is around to stop her. There is zero sense of urgency in any of this. I could just hear Sgt. Avery Johnson from Halo yelling, “Let’s move like we’ve got a purpose, Marines!”
Doctor Strange checks out — Strange is not responsible for resolving the conflict in his own movie. In fact, as cool as Zombie Doctor Strange is, he doesn’t contribute much to the crux of the action. He hands that completely off to America with a just “go kick her ass” pep talk. America attempts to fight Wanda for three seconds before realizing she can’t win, then on her own decides to give Wanda what she wants. It’s a great twist, leading to one of the best moments of realization in the movie, but the whole thing is resolved without Strange really doing much. Again, what a weird way to go.
There’s no redemption for Wanda — I know a fair few Wanda Maximoff fans, and this was a hard one for them to watch. Wanda makes an incredible villain here. That chase scene through the tunnels really makes her seem like a cross between Carrie and the Terminator, but once she realizes what’s she’s become, she just ends it.
For the sake of the aforementioned fans, I hope that isn’t actually the end for Wanda. Otherwise, that is a great character that’s just tossed into the bin. If Marvel has a redemption arc for Wanda in mind, you certainly couldn’t tell if from this movie. She just drops a mountain on herself as the story just seems eager to be done with her rather than see her try to undo the harm that she’s done. Also, just like Captain Marvel, unless she intentionally willed herself to be vulnerable, dropping the temple on herself wouldn’t have killed her. It’s a frustrating way to handle her exit.
Too many to count. I’ve addressed a number of them in the entries above, but this movie really does leave me with so many more questions than answers, and not just about the story. How much studio interference was there? What concessions were made? What did the original story arc look like? What was left on the cutting room floor that might have made more sense than what we got in the end? I guess we’ll never know.
It’s definitely exciting and visually appealing…but, too much of it is on the surface or winds up being a confused mess. There’s too much of “Wow, that was cool. Don’t think too hard about it.” That phrase might as well be the motto of the entire movie. Unfortunately, a second viewing only made the cracks stand out in even sharper relief.
Doctor Strange in the Multiverse of Madness is an odd puzzle piece for the MCU. It doesn’t really fit with what was established in the movies and shows that led up to it, and it doesn’t seem to further the somewhat meandering Phase IV continuity moving forward. Heck, it doesn’t even seem to jive with itself half the time. I expected that this movie would leverage what Loki had set up with Kang, even if it was only a line mention. It didn’t, and that seems like a big missed opportunity.
Overall, I’m not sure if the MCU is served by this movie’s presence. Unless future installments refer back to the events here, such as a return of Wanda, I don’t think this one is required viewing. If you’re not a Sam Raimi fan, or if you have an aversion to horror in your superhero movie, it’s definitely a hard pass. Even if you are a fan of those things, it still might be worth skipping. I wish that weren’t the case, but here we are.
And that’s the way this fanboy sees it.