Author Archives: The Sector M

The Golden Age of the Geekosphere

Tonight, I’m going to see Avengers: Age of Ultron (the movie I’m most excited to see this summer). That got me to thinking about the multitude of things that make being a geek/nerd/fanboy/fangirl just so cool these days.

Yes, we’ve got it pretty good, and here are 5 of my favorite reasons why:

1.) Nerd/Science Culture Acceptance

Bazinga!

What he said.

Let’s start with the most general of them. Over the last few years, what has been traditionally ‘nerd’ culture has leaked over into mainstream. Game of Thrones has been instrumental in this shift, along with shows like The Big Bang Theory and Sherlock. While the former has given us our share of fantasy and dragons (historically in the purview of geeks), the latter two have shown us that intelligent characters can carry a narrative, going far beyond the tape-around-the-glasses/pocket protector stereotypes of generations before.

We also have TV shows like Cosmos: A Spacetime Odyssey, hosted by Neil deGrasse Tyson, where we can see the beauty of science, and why it’s useful. We have websites like Geeks are Sexy and IFLScience. We can watch the livestream of the ISS, see sunsets from the surface of Mars, and use brand-new images of planets from Mercury to Ceres as our computer wallpaper. We may not have starships (yet), but little by little science is spreading into the public consciousness.

Maybe we’re a long way from mainstream or wholesale acceptance, but it’s a start. I’ll certainly take it.

2.) The Marvel Cinematic Universe

Assemble!

A triumph of the human spirit.

Okay, so you might think this is a big step down from #1, but go with me for a moment.  The Marvel Cinematic Universe did the impossible – it wove individual movie franchises into one big story. Despite its name, it isn’t just about the cinema anymore. We now have TV shows like Agent Carter, Agents of S.H.I.E.L.D, and Daredevil, not to mention comic books and cartoons, all of which take place in the MCU.

While this by itself makes the comic book fanboy in me want to do the Snoopy dance, the MCU showed audiences and studios alike that this is viable way to make movies. Marvel has plans for more movies in the MCU through 2020 and beyond.

That means that we will wind up with at least two decades of superhero movies, if you start the clock with X-Men in the year 2000. And the current generation of movie-goers will have had the privilege of living through this era, of seeing all this unfold in the theatre. That’s pretty exciting.

One of these days the MCU might play out, but right now it’s going strong. Even if others try to emulate the MCU badly (*cough* DC *cough*), we at least got Avengers and Guardians of the Galaxy out of the deal, so go us!

3.) The Regeneration of Doctor Who

Vale Decem

You don’t have to go.

The years 1989 to 2004 were a dark time for Whovians. The only Who we got back then was that pretty awful TV movie that was a weak attempt at a reboot. I do admit to liking the style and charisma that Paul McCann brought to the character, and this was the first time we saw Who with more ‘modern’ effects. But… the Seventh Doctor got a punk death, Eric Roberts played the Master, and the story was just plain bad, and clearly written by people who were not invested in the franchise.

In 2005, however, Russell T. Davies rekindled the series with Christopher Eccleston as the title role. Steven Moffat took over as showrunner after David Tennant’s run, and the show is still going strong. I hope the BBC will learn from its mistake in 1989 and keep the show going indefinitely. Now that the ’12 Regeneration Limit’ issue has been addressed, there’s no reason why Doctor Who can’t continue to move forward with new adventures.  Doctor Who is something that science fiction fandom needs, and for the foreseeable future, we have it.

4.) Netflix & YouTube (& All the Social Media)

<3

I laughed, I cried, I rebuffered.

This is a pretty broad category, to be sure. Netflix and other video streaming platforms have given fans an unprecedented access to episodes of our favorite shows, past and present. Previously, fans had to make do with a library of DVDs or VHS tapes. Though there is often a delay between when a program is broadcast and when it ends up streaming, it gives fans nowadays the ability to binge watch whole shows. It’s just as easy to watch the original G1 Transformers as it is to watch the Agents of S.H.E.I.L.D.

YouTube has made a great addition to fandom as well. Here you can share fan theories and lateral content, parodies, song covers, and cosplay advice. Some of the fan-made trailers for movies and TV shows are in many ways better than the actual thing. It’s a wide-open canvas for fans to express their creativity. If that weren’t enough, social media sites bring fans news and information with unprecedented speed, as well as giving us a way to connect with the people who make the TV shows, movies, and music videos unlike ever before. You could tweet to Neil Gaiman, Lindsey Stirling, or Emilia Clarke and they might actually Tweet back.

TECHNOLOGY!

5.) ThinkGeek

Hey, listen!

With or without a promo code.

What’s the surest way to know that geek fandoms are doing well? Merchandising. Manufacturers wouldn’t make a pizza cutter in the shape of the Enterprise, or plush facehuggers if they didn’t think there was a market for them. Turns out there is.

Marketing licensed merch and cool gadgets is nothing new, but no one, and I mean no one, does it better than ThinkGeek. There are endless places online to find fan-based T-shirts, but ThinkGeek goes above and beyond. They have collectibles, apparel, gadgets, toys, and things you didn’t think anyone would make but you are sure glad that they did.  Seriously, folks, there is a spotlight small enough to sit on your desk that is a miniature Bat Signal.

Beyond that, it feels like the people at ThinkGeek actually get these licenses. They know what these properties mean to the fans because they are fans of them themselves. Do yourself a favor and go sign up for their email newsletter. When it comes in, read it. Does is it sound like you are being pandered to by people who wouldn’t know a Wookie from a Dalek? Nope, not at all. It’s more like walking into a meet & greet at a local convention. They’re the friends-in-fandom you never knew you had. If you haven’t already, go check them out.

A Final Word

There are many more things I could list about the awesomeness of modern geekery, but that would take more than a humble blog post to even scratch the surface.  The upshot of it is: there has never been a better time to be a fan, and I’m glad to be a part of it all.

May this emerging golden age of the Geekosphere Live Long and Prosper.

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Fanboy Movie Review #2  ̶  The Hobbit: The Battle of The Five Armies

[Note: I do not consider myself a movie critic. What follows is just one fanboy’s opinion based off of a single viewing of the film. Oh, and there are SPOILERS ahead, so take heed.]

This one has been stewing in my head since December. I took a stab at writing a review of TBOTFA back in January, but it was far too long. Here is the boiled-down version of that review in convenient Fanboy Movie Review format!

And a 1…and a 2…

Single tear

Well, five…give or take.

First Impressions:  While many didn’t like the first Hobbit movie, I did. Many thought the second Hobbit movie was far better, but I didn’t. (What was up with that gold statue anyway? And that barrel sequence?) This movie strikes me as being needlessly overcomplicated in almost every aspect. It embodies the ‘bloat’ effect of this trilogy.

What I Liked:

  • Thranduil. We get a sense of how powerful he is. This is what it looks like when the Elven King goes to war.
  • Thorin cured himself of the Dragon Greed, and made an epic comeback.
  • Speaking of the Dragon Greed, the cool way Thorin’s voice started to sound like a dragon.
  • War Rams! I’m not sure where they came from, exactly, or where they went afterwards, but sign me up!
  • The White Council laying the smackdown on the Nazghul. While Galadriel was inert for most of the scene, I must admit that her banishment of Sauron was pretty cool.
  • Smaug’s final speech. I still think that should have been the end of the second movie, but any scenes with Cumberbatch/Smaug, I’m destined to like (except the death scene, explained below.)
  • Speaking of Smaug, this is why you fear fire dragons. That first strafing pass over Laketown was terrifying. I am fire…I am death.
  • Thorin’s death scene. Armitage and Freeman nail every point of this scene. To me this scene is every bit as powerful as Boromir’s death in Fellowship of the Ring. Wow.
My brother, my captain, my king...

This scene is everything the rest of the movie wasn’t.

What I Didn’t Like:

  • The human ‘army’ is the smallest and least impressive of the five armies, yet only a handful can somehow hold off scores of rampaging orcs in plate mail.
  • The Elven army sort of disappears at times. It seemed like there are thousands of them lining the battlements of Dale, but during the battle it feels like they just vanish.
  • Both the Elven and Dwarven armies are so uniform in appearance that they look like a video game. There is nothing remotely believable about them.
  • We trade out main characters in this movie. Most of the original 13 dwarves are barely seen and have almost no screen time. Bard and Legolas have a much greater part than even Bilbo, after whom the movie is named.
  • Legolas jumping along falling blocks of stone. I started laughing.
  • Bard kills Smaug with an improvised, cobbled together bow, instead of the Wind Lance, which they had previously showed us. And how is his son not dead again?
  • Stephen Fry’s mayor character? Yep, as superfluous as I thought.
  • ALFRED! The entire character is useless, annoying, and gets away with no consequences to his actions.
  • Fili and Kili and their punk deaths. They deserved better than that.
  • That weird kite thing that Azog uses to direct his troops. Did no one see him setting that up?
  • If the orcs had pressed their attack, they would have won. Sending troops into Dale was completely unnecessary.
  • The arrival of the giant eagles was underwhelming, and the force of orcs they stop seems miniscule compared to that first establishing shot of Azog’s main army.
  • Azog busting out of the ice. Let me say that again: AZOG BUSTING OUT OF THE ICE.
  • Tauriel doesn’t get to take down Bolg. In fact, she doesn’t get to do much of anything in this film.
  • Thorin’s cousin, Dain. What a cartoon character, and not in a good way.
Nope!

So Bard can MacGyver up a weapon that can match the power and precision of this siege engine? Sounds legit.

Unresolved Questions (At Least In My Mind):

Too many to list in a simple blog post. Most of them have nothing to do with the plot of the movie, and more to do with the decisions that led them down this path. This is the same team that gave us the original LOTR trilogy, which I love. The unresolved question in my mind is simply: Oh, Peter Jackson, what happened?

:_(

Oh, Bilbo, you deserved so much better.

Conclusions:

I went back and watched the original LOTR trilogy. More than a decade on, and they are still excellent. I still don’t care for the parts like Legolas and the Oliphant, but the emotion is there, same as it ever was. Sure, Gollum doesn’t look as polished as he did in the first Hobbit movie, but Lurtz, captain of the Uruk-Hai, is still terrifying. Why? Because it is a man in make-up, not a CGI construct. The effects in the new Hobbit trilogy looked bad in the theatre, so just think of how dated they will seem as time passes.

As I said, TBOTFA embodies how bloated and overdone the Hobbit trilogy is. Most of it felt unnecessary and gratuitous, with none of the deep emotional resonance of LOTR. I tried to like this movie, I really did. While there are gems seeded throughout the film, you have to suffer through endless digital armies clashing over and over again to get to them.

Are we fortunate or unfortunate that TBOTFA will likely be the last movie set in Middle-Earth? I’m still trying to work my way through that one.

In the end, it feels as though this movie is a Master’s thesis in missed opportunities. We end the trilogy not with a bang, but a Star Wars-esque whimper.

And that’s how this fanboy sees it.

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Backwards Compatible – Part 6: Enter The Fox

So, after recovering from the single greatest bout of writer’s block I’ve ever had, I had to dust myself off and get back on the horse. During that time in limbo, however, when the main plot of the novel was on hold, I decided to write some sequences out of order.

Normally I don’t do that since it makes continuity pretty tricky to maintain. Still, I wanted at least some words on paper while I tried to sort out the real quandary of the A-story. In one of these sequences, I introduced the primary antagonist of the book, Captain Gaylon Fox.

The Man Himself.

Not even gonna lie, this is my dream casting for the character: Jason Issacs.

Most of the time, villains are more interesting to me, literarily, than heroes. I knew he would be key the story, so this was my chance to show the reader what this particular villain was made of. To be an effective nemesis to the main character, Captain Coeur D’Esprit, he needed have certain things in common with her. I wanted him to be a shadowy double of her, like the dark side of the same coin.

The previous novel, To Dream of Chaos, which I did not write, gave me the perfect set up. In it, the crew of Hornet faced off against a ship of the Solee Navy, Royal Vengeance, near a gas giant. During the battle, Vengeance was critically damaged and, in an act of desperation, uses its Jump drive to get away without first getting to a safe distance.

Now, for those unfamiliar with Traveller canon, Jumping while in a gravity well is only slightly less horrible than crossing the streams in Ghostbusters. The ship might be instantly destroyed, or never emerge from Jump space, or appear parsecs away from where they meant to go, and be stranded.

Crossing the streams.

I love this plan. I’m excited to be a part of it.

A situation like that was one of Coeur’s defining moments, which led to some serious survivor’s guilt when only 4 crewmembers (including her) survived that stunt out of a crew of 100. If that weren’t enough, Royal Vengeance returns at the end of To Dream of Chaos, and is once again repulsed, and nearly destroyed.

Now that it was my time at the helm of the story, I decided that Gaylon Fox had been the Executive Officer on Royal Vengeance during that deadly encounter. When his incompetent Captain is killed during Coeur’s initial attack, he was the one who made the call to Jump. Subsequently, he became captain of the ship, and had been jonesing for a rematch ever since.

It felt only natural that Royal Vengeance should play a part in the third act of the New Era trilogy. And now I had a villain who had been in a similar situation as the hero, and forced to make some of the same hard decisions. Where the hero used those horrific events of her past to make something positive of herself, Gaylon Fox has gone down a darker road, using his experiences instead to focus his ambition like a laser and further his own agenda.

Snidley Whiplash

Nope!

Having said that, I didn’t want this guy to be a complete mustache-twirler like Snidley Whiplash or Dirk Dastardly. So, I made him competent at what he does, fearless (though not reckless), polite, and coldly self-controlled. Besides that, he often rewards initiative, and inspires service and loyalty in his subordinates. While he’s no saint, I built him so that he might be viewed as a hero from his own side of the war.

To me, those are the best kind of villains, the ones who—even if it’s just for a second—you want to win. After the first scenes with Captain Fox, I knew that’s who I had on my hands. He would naturally be the unstoppable force to Coeur’s immovable object.

Force Paradox

Like that, only with more lasers.

What would happen when they inevitably collided? I would have to wait to find out.

Next time on Backwards Compatible…canon gets murky when another version of The Backwards Mask surfaces.

[Check out The Backwards Mask on Kindle.]

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Bronies and Fan Shaming

Look at any of the ‘about me’ sections here on my blog, my website, or Facebook page and you’ll see that I self-identify as a ‘fanboy.’ I am not ashamed to admit that I, as a grown man, love things like Transformers, Doctor Who, Star Trek, and any number of others.

Back in 2010 we saw the emergence of yet another type of fandom, this one stemming from Hasbro’s G4 reboot of the My Little Pony franchise. This caused a bit of a stir, however; some of the fans of the show were males of college age or older, calling themselves “Bronies.” While the term has since come to encompass female fans of the show as well, it’s not always easy to separate the ‘bro’ out of brony in the public consciousness.

Rainbow Dash

This blog post needs to be about 20% cooler.

So, we have grown men who are fans of a cartoon meant for little girls. Give that a moment’s consideration, folks. Does the idea of such a thing give you a twinge of doubt, or pause, or even make you a shade uncomfortable? If so, you might ponder why that is. I’ve given the subject a bit of thought myself, and here’s what I’ve found.

The Formula:

Let’s break this down to its elemental components. The factors that play a part here are gender, age, and fandom. Let’s explore a few examples:

Female + Age 8 + My Little Pony = Totally okay.
Male + Age 3 + My Little Pony = Okay, but he’ll grow out of it.

Female + Age 36 + Transformers = I wore parachute pants, too!
Male + Age 36 + Transformers = Oh, you’re a collector?

Female + Age 36 + My Little Pony = I still have my stuffed animals, too.
Male + Age 36 + My Little Pony = Ewww…pervert.

It’s that last combination that doesn’t jive with many of our notions of gender roles and age appropriateness. While a boy might be able to like a girl’s show when he’s little and doesn’t know the difference, he had better be playing with Tonka trucks and action figures by about age 7 and beyond.

The Manliest Brony In The World

This man builds Harley-Davidson motorcycles and is also one of the biggest Bronies in the world. Can’t you just hear the preconceived notions shattering like glass?

Ask yourself: is it really fair to think of female Transformers fans as an interesting anomaly, while male My Little Pony fans are somehow an aberration? Where is it written that you can only like something if you’re part of the target demographic? It’s a double-standard that fandom in general doesn’t need, and it should be eradicated whenever possible.

Why is that?

Apples to Apples:

While I can understand why the general public might immediately balk at the idea of Bronies, the most unsettling part of this story to me is the negative treatment Bronies have received from members of other fandoms.

Nerd/geek/fanboy demi-god Wil Wheaton once said, and I’m paraphrasing: “Fandom is about loving something, and not being apologetic about it.” If you’re a die-hard fan, it means you love something much more than the average person sitting next to you on the train. Maybe it’s the Philadelphia Eagles, or comic books, or Stars Wars. It doesn’t matter. One type of fandom is not inherently better or worse than any other.

COEXIST

There’s enough room in the ‘Verse for all of us.

Who knows why you love it so much. The reasons why are irrelevant; you love it, and as Wheaton said, you shouldn’t be apologetic about it. It is absolutely absurd for a bare-chested man, painted in green and yellow, sporting a headpiece shaped like a wedge of cheese, to look down on a woman who cosplays David Tennant’s Tenth Doctor. The same goes for a man dressed as a Klingon ripping on another man for attending a con dressed as Rainbow Dash.

It’s all a kind of silliness when we step back and look at it, so why do we feel the need to judge anyone for it? There’s also another aspect to this to consider.

We Get Enough Shame As It Is:

Story time: when I was in high-school, I used be made fun of for being (amongst other things) a Star Trek fan. I won’t lie, it hurt. At the time, I couldn’t understand why my love for something was of any interest to them. What did it matter? Why did they feel the need to belittle me over something I liked? I just didn’t get it.

Wil Friggin' Wheaton!

For he IS the Kwisatz Haderach!

But now I realize that they were all simply outsiders to the fandom I cherished. If they had had any inkling of what the franchise, the characters, and the lessons in humanity meant to me on a personal level, or better yet, if we had shared some of those experiences in some way, perhaps they would understand why I was winning Trek trivia contests at cons by the age of 14.

Truth is, if you’re a huge fan of something, someone out there will not hesitate to tell you how stupid it is and why you’re an idiot for liking it. If we as fans are already going to get shame from outsiders, why would we ever consider doing that to another group within fandom itself? It’s pointless and self-defeating. We Whovians, Warsies, Trekkies (or Trekkers, if you prefer), Tributes, Gaimanites and Whedonites, et al. have got to stick together.

Final Thoughts:

If you still don’t know what to make of the Brony phenomenon, the best thing to do is actually check out the show, My Little Pony: Friendship is Magic. It’s on Netflix. Start from Season 1 and work your way up from there. Educate yourself about it, I dare you. Go listen to the songs “Winter Wrap-up” or “Hearts Strong As Horses” or “Play Your Part” and tell me there’s not something to it.

MLP:FIM

This is the logo. Before you judge, check it out for yourself.

As I said, I was skeptical of it at first, but then I realized I was guilty of the same crimes against fandom that I described above. So I watched it – all of it – and found that it was a show with well-developed characters (portrayed by a stellar VA cast), great world-building, fun and engaging adventures, and more than a little commentary about the nature of friendship itself. I think those are things that any age group or gender can appreciate.

We live in the era of dark, Nolan-esque, gritty reboots, a product of our post-9/11 society. You can see it in James Bond, The Man of Steel, Batman, oh and Transformers. In amongst all the needless collateral damage and blaring “Bwwaaaahhs” in the soundtrack, is it really that hard to believe fans might seek out something more positive and inspirational?

And, in the end, why should we deny anyone that?

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Brian’s Comic Contemplations – Of Regeneration and Sloppy Writing

Since no one who reads Matt’s blog knows me from Black Adam, I’ll give you a quick profile: I’m in the advertising business, and I’ve been reading comics (Marvel) for around 49 years. ‘Nuff said. (I don’t want to bore anyone with the gory details of my Paris to Dakar failure in ’98, or my savage war with the peanut butter industry – I’ll simply leave that to your imagination.)

Anyway, Matt – being quite an intelligent fellow – often regales me with his detailed knowledge of Greek history, movies, and comics. (Notably the DC side of comics, of which I am intrigued by, but largely ignorant.) So when he encouraged me to throw in my two cents on his blog, I was anxious to oblige.

I figured, in an effort to foment some fun thought and discussion, I’d start by hitting a few comic-world opinions you may, or may not agree with.

Here goes:

Wade Wilson

The Merc With A Mouth.

Deadpool – Is it just me, or has the writing for Deadpool become lazy and cyclical? I LOVE Deadpool. The character, the irreverence, the cheeky format that allows them to go to places most comic characters can’t go. But lately, every time I pick up a DP title, the story seems to include some sort of dismemberment for Wade.

Wade sets into “whatever” plot. He encounters a baddie. And the baddie (no matter what his skill level) eviscerates, or disembowels, or amputates, or shoots & stabs him. Naturally, because of his miracle healing power, he generally (arguably?) prevails.

But isn’t Deadpool supposed to be some kind of expert fighter/swordsman/assassin/marksman? Why the inept bumbling with EVERY villain? Every time? I present the following from Marvel’s own Deadpool profile:

Deadpool is an extraordinary hand-to-hand combatant and is skilled in multiple unarmed combat techniques. He is a master of assassination techniques, is an excellent marksman, and is highly skilled with bladed weapons (frequently carrying two swords strapped to his back). He is fluent in Japanese, German, Spanish, amongst other languages.

(For laughs, let’s juxtapose Deady’s stats with say… Hawkeye, who, despite having no real super powers, has (mostly) managed to dodge fatal attacks and dismemberment.)

Deadpool

DEADPOOL

Hawkeye

HAWKEYE

Deadpool’s natural physical attributes have been enhanced. Deadpool’s musculature generates considerably less fatigue toxins than the muscles of an ordinary human being, granting him superhuman levels of stamina in all physical activities. His natural strength, agility and reflexes have been enhanced to levels that are beyond the natural limits of the human body. Deadpool’s agility and reaction time are superior to those of even the finest human athlete.

So how come Mr. Pool keeps getting shot in the face? Is it just for our amusement and titillation? Are the writers so lazy they can’t think of situations where Wade might actually show enough skill to NOT get his arm chopped off? Or is it simply because Wade is so crazy he doesn’t even try to avoid injury?

I’m not saying I never want to see Wade get abused, but once in a while I’d love to see him take care of business without being mutilated. (Sigh) Am I just gettin’ too old for comics? GOD forbid… but maybe.

BONUS CONTEMPLATION:

Marvel-Comics-Classic-Wolverine-Costume-Yellow-Blue

WolverineSee Deadpool rant. I have the same issue with Mr. Howlett. (Loss-of-healing-factor issues notwithstanding.) I know he comes at enemies like a weed whacking tank – with little thought but, OCCASIONALLY, I’d like to see Logan’s vaunted “Samurai training” and 100-year fighting experience pan out BEFORE he takes a sword/bullet/laser to the gut. JMO, of course, but is it too much to ask?

Again, if Spidey, Cap, Clint Barton, Daredevil, Batman AND Robin can dodge fatal knife, bullet, and death-ray wounds successfully for 50(+) years, why can’t Wolverine and Deadpool once in a blue moon? Throw a little love to character profile continuity.

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Fanboy Movie Review #1 – Jupiter Ascending

[Note: I do not consider myself a movie critic. What follows is just one fanboy’s opinion based off of a single viewing of the film. Oh, and there are SPOILERS ahead, so take heed.]

As this is the first of this series, let me talk about the format. Knowing me, I could go on for pages and pages about a movie, but who wants to read a 12-page movie review? In order to keep things brief, I will use bullet points and short answers throughout.  I’ll finish up with a couple of paragraphs.  So, here go:

Jupiter Ascending!

Nice font choice!

First Impressions:  The movie struck me as a cross between Dune and a more serious version of The Fifth Element…with maybe a tiny bit of Doctor Who salted to taste. So far, so good.

What I Liked:

  • The effects are BEAUTIFUL, as well as the physical sets. There’s so much attention to detail that you could probably watch the movie many times and still catch new things.
  • The ships, the fighters, the holographic controls, all of it feels fully realized. I could buy that it could all exist given a superior level of technology.
  • Mobile Suit Gundam! Well, not really, but cool personal mechs.
  • Sean Bean DIDN’T die! THE NORTH REMEMBERS!
  • The dragon men were pretty cool, even if they were CGI. Like the draconians out of Dragonlance.
  • The milieu feels rich, like there’s much more beneath the surface. This didn’t come from a book series, but it feels like it did.
  • Mila Kunis is in this movie. ‘Nuff said.
Whoah...

This frame looks like chocolate tastes. Yummy…

What I Didn’t Like:

  • As the central villain, Balem Abrasax is horrible. While Eddie Redmayne nails the rich, entitled part of the character, he looks and sounds like a fresh zombie who has just had Botox. If a villain is going to give lots of exposition, let’s try to have him enunciate clearly, okay?
  • Kalique is the most young-looking old woman ever. Oh, wait…she’s young now. Big surprise.
  • The love story is weak and underdeveloped. Mila Kunis and Channing Tatum are on screen together, so naturally they fall in love. Right? RIGHT?
  • The action sequences go on about 25% (or more) too long. The direction is often confusing, with lots of explosions, but not a lot of easy-to-define action taking place.
  • The Lady Gaga-esque wedding. Is this Whoville in space? And, Dude, you’re marrying the exact genetic replica of your MOM. *Cough, cough*… Oedipus…*cough*.
  • The Abrasax dynasty is one of the most powerful in existence, but Jupiter still has to go through the line at the space DMV like everyone else? Are we dealing with Vogons here? What does this entire sequence even add to the movie?
  • One Gundam suit crashing into the refinery is enough to bring about its eventual destruction. What’s the point in even having a shield? And shouldn’t they have a contingency plan for something like that?
  • The Queen of the Earth continues to scrub toilets even after all is said and done. Nope.
  • Get your forms address correct: Your Majesty, Your Highness, and Your Grace are NOT interchangeable.
  • If you are going to fly around in your grav-skates, with your angel-winged BF, maybe there are better places to do it than downtown Chicago…DURING THE DAY. The Watchers will be pulling extra shifts.
Mailing it in.

“Does this seem tacked on to you, Jupiter? Yeah, me too.”

Unresolved Questions (At Least in My Mind):

1.) What are Kalique’s motivations in this movie? We know what’s going on with Balem and Titus, but what about the only daughter?

2.) How many Watchers are stationed on Earth? Enough to blank the minds of potentially tens of thousands of people after seeing the flying battle with Caine, apparently.

2A.) If the Watchers caught Jupiter in her friend’s closet, why didn’t they just test her DNA at that time?

2B.) If the Watchers didn’t catch the photo on Jupiter’s phone, how did Caine know it was there?

3.) Why, exactly, are bees programmed to recognize royalty?

4.) Who were the guys who robbed Maximillian at the beginning of the movie? Were they random thieves, the mafia, or what?

5.) Why did Queen Abrasax (Jupiter’s genetic predecessor) want to die? Granted, we get that part from Balem, but why did she hate her life? Was it because the youth treatments required people to die so that she might live, or what?

5A.) If genetic reoccurrence is possible, what happens if more than one pops up at the same time? Who gets the inheritance then?

Captain Obvious

Great, so what’s the final word?

Conclusions:  I liked this movie overall. It has all the hallmarks of a pleasant, though ultimately forgettable sci-fi blockbuster.  The major story points could have been presented in a clearer fashion, but I enjoyed finding out things at the same time as Jupiter Jones, even if it meant sharing in her confusion at what was going on around her.

I can’t say that I’m a huge Channing Tatum fan, and I felt his portrayal of Caine Wise was just sort of ‘there.’ He was there to fill a role and did so adequately, but not brilliantly. But, he’s marketable nowadays, so in he goes.

This movie felt like it should have had deeper levels to it, but fell victim to the mentality that ‘we must have an action beat every 10 pages.’ It’s not anywhere in the category of Aliens, Blade Runner, or even the Wachowski’s own first Matrix movie, but if you’re in the mood for a visually appealing romp through the stars, go check it out.

And that’s how this fanboy sees it.

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Of Roman Senators and Patreon

I am not a professional author, but I would like to become one. It might take years to reach that goal, but I guarantee you that I will reach it sooner with your help than without it.

Let me explain.

Back in ancient Rome, it was popular for the very rich — particularly Senators — to seek out an artist, poet, musician, etc. and become their patron. The deal was this: the Senator would provide the necessities of life so that the artist would be free to pursue their artistic interests.

In return, the Senator would be known as a patron of the arts, and could take partial credit for anything that artist produced. After all, it might not have happened without the Senator’s continued patronage.

12_Rome_Blu-ray

No, seriously, guys…you’ve got to check out this Peter Hollens guy.

Today, it’s a pretty difficult thing for an independent artist to make it out there, and for all the same reasons. The artist in question still has to pay rent, eat, and buy shoes and socks like anyone else. But often it is years, or maybe never, that their art is able to provide enough for them to make a living.

Well, we’ve seen a return of artist sponsoring in recent times with crowdfunding platforms such as Kickstarter, Indiegogo, and Patreon. Instead of depending on a single, super-rich individual to foot all the bills, now it’s possible for many people to contribute a small amount and accomplish the same thing.

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Right – good question, Bobs.

So where am I going with this?

If you are reading this blog, chances are that my work is of some interest to you. I am asking for your help in supporting me in what I love to do. I now have a Patreon account, where you can contribute to my cause on a monthly basis.

The entry level is $1 per month, or $12 a year…or as I like to put it in modern currency, about two modest trips to Starbucks. Or one, if you’re a big spender.

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Even the smallest donation can make the difference in the life of an artist.

Now, this isn’t a guilt trip; participation here is strictly voluntary. If you can’t participate or just don’t want to, there are absolutely no hard feelings. And if you do decide to contribute, you are not obligated to do so forever. Give as much or as little as you like, for as long as you like — it’s all up to you.

So, if you think that I am an artist worth supporting, please do so.

It’s really that simple.

Check out my Patreon account and rewards here.

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Time Travel via Root Beer

I have an admission to make: I’m a bottled root beer snob. Some may know all about fine wines, whiskey, or spirits, but not this author. Nope, instead I can go on at length on the flavor differences between St. Arnold’s and Sioux City, Texas Root Beer and Boylans, and on and on…

So why do I bring this up? Well, recently, I rediscovered a brand of root beer that is pure nostalgia. Root beer in general is the fast lane for remembering my childhood, it’s true, but this one is linked to a particularly happy memory, and I thought I’d share it with you. It’s a rarity for me to get personal on this blog, but today I’ll make an exception.

Story time! Let’s the set the Way-Back Machine, Mr. Peabody, to (you guessed it) the ‘80s!

Mixing metaphors again, eh?

Yep, I’m unashamedly mixing genres and fandoms here.

Before my father went into business for himself, he worked at a place called “Hudico,” which was owned and operated by a stern, semi-legendary man named Jim Hudson. It was there that my father learned the basics of how to be a machinist. The building was little more than a hole in the wall in a rural town in Texas. During the summers it was explosively hot inside there. I’m not sure if Jim didn’t believe in air conditioning, or just didn’t want to pay for such a creature comfort. Maybe a bit of both.

I remember very clearly that my mother would take me up to Hudico to see my father on his breaks, as we lived close by. During those moments when my father, just 25-years-old at the time, was not furiously running a lathe, a press, or a mill, we would sit together in the corner near the old beat-up Coke machine (one of the few amenities Jim did allow). The metal monstrosity must’ve come from the ‘30s or earlier. It was the kind where you put your money in and pulled the bottle out lengthwise. Jim never stocked it with any order, so you put your money in and pulled out whatever was next.

You kids get off my lawn!

Pretty much like this, but with post-apocalyptic rust patches and paint scratches.

On more than one occasion, as I sat with my father, the next mystery bottle in queue was a Triple XXX Root Beer. In those quiet moments we would split a drink, and in the Texas heat the ice-cold drink was crisp and vibrant. Often, when we reached the bottom third of the bottle, he would hand it off to me and say those words I had been waiting for: “You can have the rest of it.”

There are times he still says this to me, even as a grown man. It’s one of those catch-phrases that develops between people over time, the kind that instantly takes you back to the moment when it was first coined.

Doing the math, I would have been about four at the time, or just barely five, during those summer breaks with Dad. I sensed even back then that his labors in Jim’s machine shop were to help provide for the family. When I say that his work was paid for in his blood, sweat, and tears, I’m not being figurative, as anyone who’s actually worked in a machine shop before can tell you. But even in the midst of all of that, the harsh conditions, the back-breaking labor, the long hours, he would still take the time to sit down with me for a few minutes, and share a drink.

Time marched on. My father broke away from Hudico and started his own machine shop. After that, Triple XXX root beer fell off the map. I never saw it in stores, or anywhere outside of that one machine, but my memories of it still remained.

Fast forward to the present day.

Recently, I found a specialty candy store that carries all manner of obscure, imported, and even bizarre specialty colas. They have a whole refrigerator dedicated to nothing but bottled root beers of all kinds. On a whim, I scanned the shelves, looking for it.

And there it was, the old-fashioned red and yellow logo, staring me right in the face. I was perhaps more giddy at the find than a grown man probably should be. Understand, though, that this was the holy grail of root beers for me, the express train to one of my happier childhood memories.

Triple XXX Root Beer

And I come to you now…at the turn of the tide.

When I cracked one open, the taste was as distinctive and delicious as I remembered. It wasn’t a DeLorean or a Tardis, but it was certainly the equivalent of a liquid time machine. I was there once again at Hudico, amongst the grime, the grease, and the open sense of optimism for the future.

So, for Christmas this year, I’ll be giving my father a few of these bad boys. (And if you’re reading this, Dad, just try to act surprised, okay?) More than that, I’ll share them with my sons. Perhaps when they’re adults, they can look back on those memories with the same fondness that I have for the ones I carry.

And on those days when we share one, it will do my heart good to hand it to them and finally say, “You can have the rest of it.”

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An Open Letter to Michael Bay From a Humble Fanboy:

[My blog has been on semi-hiatus the last few months as I finish up on one novel and begin another. This Fourth of July weekend I saw Transformers: Age of Extinction, which prompted me to reopen my blog for this letter.]

Dear Mr. Bay,

First off, let me congratulate you on an incredible opening weekend for your recent film, Transformers: Age of Extinction. In less than a week, the movie has made over $128 million dollars. I’d say you’re on target to shatter all manner of box office records and sit astride the top-earning slot of this year’s summer blockbuster season.

Which is why we’ve really got to talk.

Now, this isn’t an angry letter. No, sir. Anger implies a burning rage, and a fiery lack of rational understanding. No, after watching TF:AOE, I’m cold. Oh so cold.

Before I get into the nuts and bolts of this letter, I must first make an admission: Your movies are my guilty pleasure. Say what you will about their plot, story, and intrinsic artistic value – your visuals are spectacular. You constantly push the envelope of movie-making technology to produce films that are breathtaking. No one can make explosions looks as beautiful as you on screen. I mean that. Truly.

But…

I can say without hesitation, and greatest conviction, that TF:AOE is your worst film to date. Perhaps my criticisms (to follow) are better suited to one of the other Executive Producers of the film, or perhaps the screenwriter, or indeed anyone involved with the movie’s creative direction, but seeing as how you are the Director, the proverbial Captain of this ship, the responsibility is ultimately yours.

Simply put, I’m a fan of Transformers, and have been since my childhood. I could elaborate on the various expressions of this fandom, but in the interests of brevity let me say that it will be hard for you to find a person who loves this property more than I do. When I heard back in 2006 that you were helming the first Transformers film, I was cautiously optimistic about it. You are, after all, on the short-list of action directors capable of turning out a blockbuster of this magnitude. Since my first brush with your take on the franchise, however, there have been some trouble spots.

I suffered through Bumblebee urinating on John Turturro in the first installment. I gritted my teeth in the second movie as we saw that Devastator was anatomically correct. I even kept my composure during the barren cinematic landscape of Dark of the Moon. And yet, call me sentimental, but there were shining moments in that trilogy that gave me hope, that kept bringing me back into the theatre in 2009 and 2011, like an abusive relationship that hurts you again and again, but that you cannot quite bring yourself to break off.

After seeing TF:AOE, I’m afraid my little fanboy heart cannot stand it anymore. It’s just been broken too many times, and most recently by you. (Spoilers Ahead! You have been warned.) I do not enjoy seeing characters from previous movies, even CGI ones, brutally murdered while on their knees, begging for their lives, and decrying, “Wait! What are you doing — I’m one of your friends!” Nor do I appreciate characters who have proven themselves competent in the past suddenly losing their temper, acting like spoiled children, and endangering themselves and the lives of others in the process. The same goes for the amount of collateral damage and indiscriminate destruction that so-called “Autobots” wreaked in Bejing. But the butcher’s bill of misfires made here, every plothole covered with glorious, glorious special effects, the casual and unending objectification of women, the uncomfortable racial and cultural stereotypes, the tissue-thin depth of the characters – all of it – pales before the final straw that broke the back of my fandom. (I mean, all those tropes are at least part of your regular schtick, right?)

The final sin, the place this movie went that the others at their worst avoided, is Optimus Prime. You turned him into an angry, embittered maniac who is as ineffectual as a warrior as he is a leader. He kills people, humans, in this movie. It’s bad enough that I had to see Superman snap General Zod’s neck in Man of Steel, but now Optimus Prime, paragon of wisdom and virtue, just executes a guy. No attempt to have him answer for his crimes, or see that justice is done, just point and fire with as much emotional response to the killing as a mafia hitman (meaning no disrespect to any mafia hitmen who might read this). After that, it came as no surprise that his final coup d’grace was stabbing the bad guy in the back.

But it’s worse than even that. What really drives white-hot pokers into my soul is that Optimus gives up on us. Despite all his talk in the original trilogy that “freedom is the right of all sentient beings” and that “they are a young race, capable of great compassion” he is more than willing to turn his back on us when we are, as the name of the movie implies, facing extinction, and Mark Wahlberg has to give Optimus the pep talk about why he should continue to fight, not the other way around. There is a direct quote from the end of Dark of the Moon, spoken by Prime: “There will be days when we lose faith, days when our allies turn against us, but the day will never come when we forsake the planet and its peoples.” What happened to that Prime? Can we get him back in the next movie?

In casting him in this light, this movie did what I thought was an impossibility…it made me hate Optimus Prime. Me. I realize that you don’t know me, or the deep significance that this character holds for me, but let us just say that I still tear up a bit when I see Optimus die in the 1986 animated movie. Scarred for life, I was. Prime may very well be my favorite character in all of fiction, and I despised him by the end of this movie. That, Mr. Bay, I can never forgive.

Let me take a step back at this point, breathe and count to ten. There, better now. Allow me to throw a few facts your way. At the time of this writing, TF:AOE has earned itself 17% on Rotten Tomatoes. That is on par with Showgirls (also at 17%), which is widely regarded as one of the worst movies ever made. This movie ranks lower than the huge disaster Battleship, which was a blatant rip-off of the Transformers movie franchise, as well as your own distinctive visual style. By comparison, it sits at 34%. Battleship! You’ve been outdone by one of your weakest imitators.

Good God, man…Battleship!

The disconnect between the quality of the story and its undeniable commercial success worldwide tells me that you have labored to produce the cinematic equivalent of Twilight, the book not the movie. Perhaps that doesn’t matter to you. Perhaps you’re content, even satisfied, with how TF:AOE came out. Or perhaps it was just a job and/or an enormous payday to you. I can’t speak for your reasoning, but I can tell you that I’m embarrassed for you. There is more heart and soul in the merest fraction of your Lionel Richie video documentary (a fine musician and artist, I hasten to add) than can be found in the entirety of this soulless (sparkless?), joyless movie.

Now, I write these words in the knowledge that you will likely never read them. In truth, this is more a catharsis for me than a critique for you. But assuming you do read this, and you’ve made it this far, I might as well go the whole nine yards. To that end, allow me to illustrate for you what it was like to sit through all three hours of this movie, in a convenient bullet-point format:

  • This movie was akin to sitting in the basement of a Porta Potty, looking up, while it is being used on an unseasonably warm State Fair Day
  • Watching this movie weakened my faith in humanity, when it had previously survived the onslaughts of Jersey Shore, Toddlers and Tiaras, and Honey Boo Boo
  • Seeing this movie made me feel like how a trash dump full of zombies and old socks smells
  • It was tantamount to seeing a school bus full of puppies fall into a volcano, when the volcano also eats souls
  • Exactly like watching the worst movie I’ve ever seen, where cherished characters from my childhood are criminally misunderstood, with staggering amounts of unnecessary scenes, plot holes Optimus himself could drive through, worn-out clichés, placeholder dialogue, and amateur-hour characterization, making me wonder how something so singularly god-awful was ever released in the first place

And while we are on the subject, allow me to elaborate the things I would rather do than watch this movie ever again:

  • Watch Star Wars: Attack of Clones twelve straight times, back-to-back, including all the footage of Jar-Jar from the entire prequel trilogy
  • Take college algebra again.
  • Throw a punch at Mike Tyson, before or after insulting his significant other
  • Die. Just die
  • Awaken Great Cthulhu from his dark and terrible slumber. (Though, to be honest, any of the Great Old Ones would suffice in His place)

Okay, so I’m taking a few liberties here, but again – catharsis, remember? Despite the fact that I must part ways with you for the crimes of this movie, let me leave you with this thought.

I want to help you.

While I understand that these movies are most definitely not made with the fans of Transformers in mind, perhaps I can save you some whining from heartbroken souls such as myself in the future. Story is cheap. It’s words on a page. With a $210 million dollar budget, the story of a movie like this has to be the cheapest part of your production costs, and the easiest to change. Again, your special effects are incredible, to the point that I can see the minute details of Hound’s bushy beard. Why can’t that level of detail, thought, and attention go into the base story itself? Honestly, as a fan, is that too much to ask?

So, I am offering my services to you, Mr. Bay. Next time you go to visit the Transformers universe, call me. You need someone on your team who loves this franchise, since it is clear from this offering you are lacking such a someone. I will be stupidly happy (like a live-action role-player at a renaissance festival) to help you avoid making another movie like this one, and you will find that my fee will be a paltry, practically insignificant sum next to whatever you’re paying your screenwriter.

Just food for thought.

Thank you for your time and consideration.

Sincerely,

-Matt Carson

P.S. – Despite all of this, I enjoyed your cameo in Mystery Men.

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Why I Love The Doctor

I’ve heard it said that being a geek means never having to say you’re sorry for loving something. Good thing, because this blog post is all about why I love the Doctor in Doctor Who.  If you’re a Whovian already, this post is likely just shooting fish in a barrel, but I will tell you why I love the show and the character of the Doctor in particular.

For those of you who are not necessarily fans of the show, here is a peek into that particular fandom.  It’s true that Whovians occupy a strange niche of the overall sci-fi genre. You can see them at conventions with their scarves, long coats or bow-ties, often waving around sonic screwdrivers with every photo-op.  Or maybe it’s just a T-shirt with a blue box on it or the words “Don’t Blink.”

Regardless of what they look like, these folks are linked together by a single television series that first debuted in 1963. The central character of that show is the Doctor (BTW, his last name is NOT ‘Who’), and is one of the most compelling and enduring characters in all of science fiction. Here’s why I love him:

50 Years Creates a Legend

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Yeah, baby, yeah!

This year marks the 50th anniversary of the show.  With more than 200 episodes in its continuity, not to mention novels, video games, comics and radio plays, the Doctor has been on a lot of adventures. This gives him a body of past accomplishments that practically dwarfs any other sci-fi character. Doctor Who is, after all, the longest running sci-fi TV show of all time.

Even in the current series, there are references and throwbacks to things which happened at the very beginning of the series.  By this point in the storyline, the Doctor has achieved a nearly unrivalled heroic status. I mean, if you can boast that you’ve saved the Universe or the Earth more times than Kirk or Picard, and possibly as many times as Superman, I’d say you have some bragging rights.

His Heart (Both of Them)

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With all my heart.

The Doctor has lived over 900 years.  He’s fought evil forces and saved quadrillions of innocent lives. While some of his travels can be lighthearted, there are times when the Doctor is deadly serious, and must champion existence itself.  It is the force of his convictions and his almost unimaginable capacity for compassion and mercy that drive him. There are so many times in the series where he could have chosen the easy path and just walked away.  But he doesn’t.

The Doctor stands and fights, most of the time without weapons, and with only the help of his trusty sonic screwdriver and the companions at his side.  Yet, when the smoke clears, the Doctor is triumphant even against the most impossible odds. While he can’t always save everyone around him (the body count in Doctor Who can get pretty high), the Doctor finds a way − always.  He never runs out of hope. His hearts, much like his beloved TARDIS, have to be bigger on the inside, like a super-reversed Grinch.

His Mind Is His Greatest Weapon

Doctor+Who+3+I+love+that+you+add+the+Tardis+_45f1909bfa5f8247ca7bfb4fafbd0b2e

What he said.

Perhaps the thing I love about this character the most is that his mind is the most awesome weapon in his arsenal.  The Doctor is almost always able to outthink and outmaneuver his enemies, even if they initially get the drop on him. He has that uncanny knack for using the opposition’s strength against them.  So, the greater the force arrayed against him, the more dangerous he becomes.

In an age of brute-force action heroes, who are more concerned with kicking down doors and mowing down anything that moves, the Doctor presents us with a daring and compelling alternative.  He uses violence as a last resort, rather than leading with it. I think that this peace-loving mindset makes the storylines in Doctor Who that much more interesting and rich. (And this is coming from a guy who writes military science fiction!)

An Unbroken String of Great Performances

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One man, eleven faces.

At the time of this writing, there have been 11 men who have played the Doctor in the main story (sorry, Peter Cushing and John Hurt!). If you ask a proper Whovian who the worst Doctor of the lot was, they might have a hard time answering. We all have our favorites, which can naturally eclipse some of the other incarnations of that most famous of Time Lords.

Here’s the cool part…even the weakest versions of the Doctor are still incredibly well played on screen. Each actor brought something to the role that stood out from his peers.  From William Hartnell’s First Doctor to Matt Smith’s Eleventh Doctor, the performances have been outstanding from start to finish. Even when the sets and special effects were not all that stellar, each Doctor was still uniquely brilliant. No pressure, Peter Capaldi. Your Twelfth Doctor has some pretty big shoes to fill.

He’s Universally Applicable to…Everything

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Anyone surprised? Anyone?

With a ship that can travel to any point in time and space, the Doctor could quite literally show up anywhere.  There have been some limited crossovers with other series (mostly in comics and novels), but it would not be out of character for a blue box to just materialize in just about any other sci-fi universe or continuity. Believe it or not, there is a comic book storyline where the Eleventh Doctor teams up with Jean-luc Picard and the crew of the Enterprise-D to fight a bunch of Borg/Cybermen hybrids. Yeah, my geek is showing.

But even within the confines of the show, we see the Doctor meet historical figures from Shakespeare to Madame de Pompadour. Whether he lands in Victorian England (which he does quite a bit), Renaissance Italy or Pompeii, there really is no storyline − past or present − that the Doctor couldn’t participate in. He just sort of goes with everything, and it’s glorious. The adventure possibilities are truly limitless.

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So there you have it, folks. In broad strokes, those are the reasons why this author loves the Doctor. If you are a science-fiction fan of any stripe, and haven’t watched this show, I can’t recommend Doctor Who enough to you.  In my opinion, the Doctor is one of the cornerstones of sci-fi, and is well worth discovering for yourself if you haven’t already. Who knows, you might just find yourself cruising ThinkGeek for a TARDIS mug or Dalek ice cube tray.

Allons-y!

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