Tag Archives: Aliens

Science-Fiction Worldbuilding: Xenogenesis

Alien species in a sci-fi universe can be among the most memorable and interesting aspects of the entire property and story. Think about how much Vulcans and Klingons add to Star Trek, or how much the Narn, Centauri, and Vorlons give to Babylon 5. You couldn’t have the Alien franchise without xenomorphs, and what would Halo be like without the many species that collectively make up the Covenant? The examples in the body of modern science fiction are too many to count.

As we enter the final few months of the year, I wanted to present another blog post for writers and fans of science fiction in general. This time around, I want to focus on the xenos we see in science fiction and talk through some of the considerations when creating them. These include environment, biology, and society.

Without further ado, let’s dive in.

This is the planet of Pandora.

Environment

If I’m going to create a new alien species for one of my stories, I first try to imagine the place where they came from, originally. This is most often (but not always) going to be a planet. You might think of the species you’re going to create as a liquid and their evolutionary environment as a cup. That is, the species will have adapted to that environment, and the conditions under which they evolved will have left their mark upon the species.

Give some thought to what it’s like on this planet. What does the general climate look like? What is the planet’s gravity relative to our own? Is this planet in a binary or trinary star system? For that matter, what type of star does their planet orbit? Are we talking a big star, like a hypergiant, that runs hot but won’t last as long, or a red dwarf (the most common type of star) that’s relatively cool but will last a long time?

Of course, time scales are relative when it comes to the life of a star, but it can play into the overall narrative. Our sun is always a good standard of measure for this kind of imaginative work, allowing you to scale it up or down.

Once you have the star, you might also think about the overall temperature of the environment you’re building. If the alien species has water in their bodies, you’ll likely want to make sure the planet is in the “Goldilocks Zone” of liquid water. Depending on the output of your star, that might mean the planet is closer in or farther out in its orbit.

Speaking of water, what does the hydrosphere of this planet look like? What’s the ratio of land to water? Again, it’s a good idea to use Earth as a standard of measure. Our planet is about 71% covered in water, leaving 29% for land. Does your planet have more of that or less?

Can you go the Star Wars route and give your planet a single, recognizable biome like forest, swamp, ice, or desert? Of course, you can. Just remember that if a planet has one major type of biome, that’s likely to change at the poles and at the equator, if nothing else. Once you have the environment/planet of origin in mind, we can move on to the next part.

Biology

Now that you’ve established your proverbial ‘cup,’ let’s move on to the liquid that fills it. Early on, you should ask yourself an important question: Is this species sentient or not? Chances are the answer is yes. While alien beasts with an animal intelligence are plentiful in science fiction, it’s the ones who are self-aware, intelligent, and build cities and ships that really stand out.

Another thing you need to decide is just how alien you want your aliens to appear. Star Trek is notorious for slapping a variant forehead on a human actor and calling it a day. This is more for practical purposes than anything else. So, do you want your aliens to appear as a bipedal humanoid with two arms, two legs, and a single head, or do you want it to look quite different? Since we do not yet know what an alien species might look like, you have a free hand here.

This is where you might turn to the species of our own planet for inspiration. Earth has an incredible diversity of life in nearly every climate. If you plan on building an aquatic species, you might look at the biodiversity in our oceans. If they are a desert-dwelling species, take a look at the critters that run around the Mohave, Sonoran, and Gobi, among others.

Certainly not a typical life cycle, but definitely a memorable one.

Another thing to ponder is their internal temperature and how they maintain it. Do they have a system akin to mammals on our world that self-regulates their temperature, or do they rely on external factors? This is an important one as this will determine what kind of environment and protective gear they will need as they venture out into space. The interior of their starships will need to mimic the environment you’ve established, or at least the corner of the environment where this species evolved.

In addition, what does the food chain look like on their planet? Is there a predator/prey relationship like we have here on Earth, or is it something else entirely? If you do have a predator/prey cycle going on, where does this species sit in that hierarchy? They don’t have to be apex predators (though they certainly can be). After all, humans  were not evolved to be apex predators, but our intelligence and flexibility allowed us to punch way above our weight.

Amaze! Amaze!

It may be tempting to give this species the same five senses that we as humans have, but think about how the environment you’ve established might have shaped those senses, or even equipped them with senses beyond what humans have. For instance, several species of snake are able to combine their sense of sight with a kind of heat-sense to detect slight variance in temperature, allowing them to hunt in total darkness.

How this species senses the world around them can be vital to understanding how they might come together to build complex things like starships, scientific laboratories, and that most complicated structure of all: society.

Hey, look! It’s Weyoun. I bet he has an important announcement for us.

Society

Okay, so at this point you have some idea of the planet or originating environment of the species you’re creating. You probably also have a good idea of what they are capable of in terms of their senses, their basic capabilities, and maybe even a few things like their sensitivity to radiation and harsh biomes. Hopefully you can picture what one would look like if it were to walk into the room with you.

Now that we have them in mind, let’s do a quick thought experiment. Imagine, if you will, that humanity had evolved with one slight change. Let’s say that we were somehow able to drink salt water but not freshwater. Imagine how our society might have unfolded differently.

For one, we would probably have many more coastal cities than we do now since that would give us easy access to effectively unlimited drinking water. Because so many would live on the coast, we probably would have invested more in making our structures weatherproofed. By the modern day, our homes and buildings might be able to withstand hurricanes or typhoons with relative ease as that would have been a major problem that humanity would have had to overcome.

The original scale included only the first three levels. Futurists have since added three more levels.

Also, there would be places on the planet, like in China and other spots, that are so far removed from salt water that exploring them might not have been feasible until after the industrial revolution. With the proximity to the sea so necessary, we might have developed technologies for living underwater or even created artificial islands.

As you can see, changing just one little thing in our biology radically alters our whole societal trajectory. This is the kind of thinking I would highly suggest you do once you have a decent idea of your species’ biology. How would the physical and environmental needs drive them to build cities and systems that could eventually do things like split the atom and build spacecraft capable of achieving escape velocity from their planet of origin.

When you are building an alien society, it also helps to keep in mind the psychology of the species in question. How prone are they to cooperate or compete for resources? If they developed as an apex predator, does that instill in them a kind of unassailable confidence, perhaps even a feeling of destiny that they are the best at everything? Or, did evolving as a prey animal give them a sense of paranoia, perhaps acute xenophobia (pun completely intended) when they think that everything may be out to get them? Again, knowing the environment and biology can help you determine how they think.

These patterns of thought and behavior will naturally be reflected in the societies they build. Architecture, for instance, might be an instant example of how they see themselves and the user-friendly forms (to them, at least) they choose for their buildings. If you have an avian species that can fly, entrances to their buildings may not be at ground level. If a reptilian species needs a scalding hot work environment to function, the odds of them installing air conditioning are pretty low. In both examples, they might eventually add those systems to accommodate other species that they come in contact with, but they probably wouldn’t have them natively as there would be no need. Remember that function follows form in these cases.

Of course, there’s more to a society than just their buildings, right? Just think of the previously mentioned Vulcans or Centauri. When you think of those two sci-fi aliens, what comes to mind? For me, it’s their behavior and how that behavior carries over into their interactions with other groups. Let’s take a closer look at those two.

The Vulcans are all about logic. They didn’t used to be that way, which led to the Romulans splitting off to form their own society. Now that logic and the suppression of emotions is central to their civilization, they tend to focus on mental pursuits like science. The Vulcan Science Academy is one of the most prestigious scientific institutions in that universe. They tend to view the emotional outbursts of other species as infantile and perhaps not as enlightened, giving them a sort of ‘parent’ kind of status when it comes to other species. This, coupled with their calm, reassuring demeanor, makes them natural mediators and diplomats, as well as an indispensable pillar upon which the United Federation of Planets is built.

The Centauri, on the other hand, are all about letting their passions run wild. They embrace emotions at every turn and have an infectious kind of charisma. Of all the species in the B5 continuity, they almost certainly throw the wildest parties. These passions come at a cost, however, because ambition lurks behind every boast and fit of laughter. Their political system is pretty cut-throat, all told, and their society is far more on the decadent and self-aggrandizing side. At one point, the Centauri were the dominant species, forcing their will and worldview onto other alien races, including the Narn. Eventually, their empire decayed, and the Centauri lost their prime position amongst the Younger Races. This has only fueled their ambition to get back into the top spot through manipulation and subversion, and fostered bad blood between them and many of the other aliens that once saw abuse at their hands.

Two very different species, but both extremely interesting and the icons of their respective properties. If you are creating an alien species for one of your stories, these two species are sterling examples of the result you want to have at the end of this process.

Once you have an understanding of the one culture, ponder how they might interact with other species out in the universe.

Final Thoughts

It is possible to reverse engineer an alien species, to start with the end product and then go back and figure out the particulars. I imagine that route is pretty common, and I have certainly done that before with some of the species I’ve created in the past.

Even still, I think having some working notion of where and how a species evolved can help you understand how they will function and interact within a given science-fiction continuity. In other words, knowing where they came from can give you incredible insight into where they’re going.

As I said, alien species are one of the most interesting and compelling aspects of science fiction. If you are writing science fiction, or just like reading it, I hope this discussion of my thought process was of value to you. Now, I challenge you to go create your own. Be discerning, be weird, and above all else, be memorable.

If you would like to see how I put some of these principles into action, please take a look at my science-fiction novel, Axis Point. The main character is an alien, and his species was created using this very method.

Thanks for reading!

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Read the first chapter of my military sci-fi novel, Axis Point, for FREE. Just click here.


The Ups & Downs of Alien: Earth

My first brush with the Alien franchise was to see Aliens on VHS when I was a kid. I still believe that it’s one of the greatest action movies of all time. It definitely put its stamp on military science fiction, that’s for sure. Only after seeing the sequel did I go back to the original Alien, which delivered on the horror and suspense incredibly well, and it gets better each time I see it.  

These were two movies of very different genres, each helmed by visionary directors at the top of their game. They both had the disturbing body horror and existential dread that came from the xenomorphs.

Aliens 3 came out, and I did not care for it. (Killing off Hicks and Newt in the opening moments of the movie was unforgivable.) Alien: Resurrection didn’t quite do the job either. The Alien vs. Predator series came and went. I watched them, and while it was cool to see Predators and Aliens in the same movie, the whole thing just rang hollow. For me, I’ve been chasing the high of those first two movies for so long.

Prometheus kinda sorta got us back there. It certainly delivered on the mystery and dread, but the story had some…issues, shall we say. I did not see Alien: Covenant, and from all accounts, I can be glad of that. I may still see Alien: Romulus at some point, but it’s not necessarily at the top of my watchlist.

All that was to give you a starting point of where I was when Alien: Earth began to air — essentially on a downward trend with occasional ups here and there. Strangely enough, this new series on Hulu became something of a microcosm for my fandom of the whole. That is, a great start that begins to stair-step downward with occasional up spikes here and there. It should go without saying (though I’ll say it anyway) that there will be major spoilers for Alien: Earth here. Consider yourself warned.

The Ups were Upping

I want to give credit where credit is due. First, this series looks gorgeous, from its cinematography to its set design. The production values on this show don’t look like they are from a streaming show at all. It feels like we just got a series of Alien movies with Season 1 that are highly rewatchable for the details.

Second, the acting is equal to or greater than the visual quality. I have to give great props to Babou Ceesay, Timothy Olyphant, and Samuel Blenkin for handing in stellar performances. My favorite scenes were those that featured Morrow and Kirsh, and I really hated Boy Kavalier. Talk about a character that put all their points into Intelligence and used Wisdom as their dump stat, it’s him!

But, I want to be clear that creating a character that audiences will hate takes incredible acting skill, and Blenkin delivered that in droves. Kudos to him.

The other actors inhabit their roles incredibly well, too. The Lost Boys really do seem like kids trapped in adult bodies. We get frickin’ Essie Davis here (of Phryne Fisher fame), though I wish she’d had more to do.

Beyond that, we get to see more into the megacorporations on Earth. In most other installments, Weyland-Yutani is the prime mover of events. Here, they are largely in the background. We find out that Earth’s governments have effectively gone away and now there are five megacorporations that rule various territories on Earth, essentially a feudalistic technocracy with a nearly all-powerful dictator/CEO at the head of each one — a dystopian fate that we definitely aren’t rushing towards ourselves. Ahem.

The Alien franchise has always had synthetics, or artificial persons, but here we also get cyborgs like Morrow, and hybrids. The hybrids in particular are something that seem like a natural extension of the idea of a synthetic. (I wish the Institute in Fallout 4 would take a cue from this.) If you have synth bodies that are resilient, immune to disease, and potentially ageless, you might look at trying to download human consciousness into one. Such a thing raises about as many moral and ethical questions as the transporter in Star Trek, but it makes total sense: Boy Kavalier is attempting to monetize immortality.

And what Alien story would be complete without a healthy dose of corporate hubris, once again personified by Kavalier. There’s always someone who thinks that they can control the ineffable. Generally, it’s just trying to control the xenomorphs, but Prodigy is trying to control multiple species at the same time in addition to the xenomorph.

Speaking of which, the MVP of the new aliens has to be the T. Ocellus (eye midge). I found I was more interested in what was going on with it than the xenomorph for most of the series. Here’s a creature that’s equally as terrifying as the xenomorphs, and one that might be truly sentient. As one YouTuber put it: “The xenomorph is the perfect killer; the eye midge is the perfect nightmare.”

More than anything, I want to know where the show will go with that little critter if we get more seasons.

The Downs were Downing

As much as the sets and acting were spot on, along with many of the concepts, the story was uneven. Certain scenes and bits of dialogue felt like they knocked it out of the park. Within the same episode, sometimes within the same scenes, there are non-sequiturs and weirdness that make it seem like either the script was between drafts when they shot it, there was some weirdness with the editing, or some sort of static in the line.

Two examples of this really stand out. The first is when Nibs has her memory erased. Dame Sylvia wants to keep her in isolation so that it’s not immediately apparent that her memories have been altered. And yet, Wendy is in the room when Nibs wakes up and the alteration becomes immediately apparent. Whoopsie!

The second is when Wendy decides to leave the island and resolves to take the other Lost boys with her. We get a line from Boy Kavalier that says something to the effect of “Oh shit! We better get to them (the Lost Boys) before she does!” But, Wendy is able to get to them without issue immediately afterward. No security guards challenge her or get in her way at all.

And that speaks to one of the greater issues: Security on the island is a joke. At no point does the security feel like it’s able to do anything of value. There are no static guards posted anywhere. They occasionally roam the halls, but anytime someone wants to avoid them, it’s pretty easy to do so. There are cameras and listening devices everywhere, including those built into the hybrids, but it seems that Prodigy leadership is always clueless as to what’s really going on.

You might could explain it away as Kirsh trying to manipulate things from the inside, but it seems to happen one too many times for my tastes. The scene of Slightly and Smee awkwardly carrying a face-huggered victim through the halls was just kind of it for me. I couldn’t suspend my disbelief beyond that.

Speaking of incompetent leadership, it strikes me as weird that Prodigy continually forgets about the remote shutdown failsafe for the hybrids hybrid in case something went wrong. They also should have installed some sort of tracking beacon that can’t be shut off remotely. In the case of Nibs, she proves the point that maybe your first-generation hybrids shouldn’t come standard with super strength and speed in case they become mentally unstable. Maybe leave the super powers for later generations when you have perfected the process instead of handing that to a bunch of children.

But all that pales in comparison to one of the story beats that kicks off the series. Even though Boy Kavalier is months, perhaps weeks, away from unveiling his crowning achievement, something that will reshape what it means to be human, for some reason he agrees to send all of his hybrids into an incredibly dangerous and uncertain situation. Not just one or two, but all of them.

The hybrids literally have the minds of children, they have no combat training, and no weapons other than the handle of a paper cutter that Wendy picks up and magnetizes to her back. Absolutely none of that makes sense. The final episode attempts to say that Kavalier has extremely poor impulse control, which would definitely explain some of his poorly thought out decisions, but this feels like a total cop out.

I think the worst sin of the show, however, was having Wendy be able to turn the xenomorph into a pet or, at best, a minion. A big theme of many movies in the Alien franchise is that you simply can’t control something like the xenomorphs. It’s sheer folly to even attempt to do so, and what success that is possible is fleeting. The xenomorphs always get out, and they are virtually unstoppable when they do.

Wendy having one that will kill on command really sinks the whole deal for me. Also, showing a xenomorph during the day really degrades its menace. It’s meant to be a thing that leaps from the shadows or attacks when you least expect it, so showing it in broad daylight really takes away the impact.

I don’t want to just rag on the show, but a few other honorable mentions include:

  • Several security guards, all armed with tasers, waiting patiently on the dock as Nibs brutally kills one of their own in plain view. They have a clear line of fire, but they do nothing.
  • Morrow should have the recovered file from the Maginot that shows that Kavalier had paid off the chief engineer. It feels like that would at least be mentioned during the arbitration scene, but it isn’t at all.
  • The xenomorph being hyper-lethal in some scenes but slow and ponderous in others, depending on the level of plot armor.
  • The inconsistency of physical strength shown by the hybrids, particularly Tootles/Isaac when opening a door and Slightly and Smee when carrying a body. Are they super strong or aren’t they?
  • Dame Sylvia not being terribly bothered that her husband is missing during a crisis of aliens getting out of containment and an attack by Weyland-Yutani operatives.
  • The T. Ocellus passing over any number of living and dead Prodigy personnel to go to the beach to insert itself into a dead body. I guess this little alien can reanimate dead tissue.
  • Boy Kavalier writing “3.14” on his hand and expecting T. Ocellus to understand what that means. Yeah, I’m not sure it understands English. While it might understand the concept of pi, I highly doubt it would express it in Arabic numerals.
  • A nitpick, but what is going on with Yutani’s personal guard? They look cool in a cyberpunk-ninja kind of way, but what’s with the golden-wing accents on their helmets? How do they get through doorways?  

Final Thoughts

Let me just say that I hope this show gets a Season 2. I can’t say I’m happy about them leaving much of the story unresolved (particularly a fleet of attack craft from Yutani already at the island). It also seems that Wendy’s transformation from series protagonist to series antagonist happens awfully fast. She never mentioned anything about wanting to lead or rule, but that’s where we leave her. We don’t hear anything about her or Prodigy in the later lore, so it doesn’t seem like she’s destined to be successful.

Like much of the show, I don’t know where they’re going to go with it. Despite all of my criticisms, it finally felt like we were back in the Alien universe again, and I tuned in every week for it. Still, I think that there’s great potential here if they smooth over the rougher edges from Season 1. If they do, this show could turn into something great. Here’s hoping, anyway.

Thanks for reading!

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Read the first chapter of my military sci-fi novel, Axis Point, for FREE. Just click here.